All at Once

lAll at Once examines moments when individual actions in public space arrange into fleeting visual order. The photographs are made on the street without direction; gesture, movement, spacing, and timing briefly form complex, visually satisfying arrangements within the frame. People may be engaged in similar activities, but their movements and gestures align, overlap, or counter one another, creating visual relationships that exist only from the camera’s position and at the instant the photograph is made.

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In Public, Apart

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Wisconsin & M